The 1 to 9 Podcast

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Karin
Welcome to the 1 to 9 podcast for interesting insights and knowledge to animals and other beings within multi-dimensional realms. Well, hello, welcome to another 1 to 9 podcast. I'm Karin.

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Diana
And I'm Diana.

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Karin
And we're.

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Diana
Here.

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Karin
I know we're still not 100% sure how our names are resonating with this podcast. We're here today with a whole bunch of fairies.

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Diana
Yes, they're fairies from in and around both our houses. I don't know if this is actually the correct name for them. We're going to be asking them what they call themselves, but there's house fairies that have been running around my house for the last couple of days just racing up and down the hallways.

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Karin
And then they're racing up and down the hallways because they have something to say and they want to be on the podcast, right?

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Diana
Yeah, they were just so excited. Right? And then there's some plant fairies and then the outside fairies and then Karin has got her art fairies and also the house fairies, which actually seem to be of smaller stature than my house fairies, which is kind of interesting. And then there's also the Chincoteague house fairies who will be communicating with us via some kind of device that they have there.

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Karin
Right. And what about flower fairies?

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Diana
the flower fairies, Yes. Okay. Can't forget them.

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Karin
Right. So we may not be talking to all these fairies today, but we'll get to them one by one and see. So who who wants to talk first? Who wants to? But what fairy group is in first in line to to say something?

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Diana
you know, I forgot another category of your fairies. Okay.

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Karin
The cat attendant fairies. Cat attendant fairies there.

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Diana
Okay. Okay.

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Karin
And we have Ollie the Cat with us today.

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Diana
And the other cats are with us in spirit. Okay? Yeah. Okay. So who will be talking to us today? this is kind of interesting. Karen's house fairies.

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Karin
my house fairies and little house fairies.

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Diana
So little house fairies.

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Karin
You're saying they're smaller in stature than your house fairies? You mean about half the size?

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Diana
Yeah, half the size.

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Karin
But not half as very like or half as prominent.

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Diana
No, no, no. They're just half the size.

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Karin
That's just littler.

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Diana
House fairies. Yeah.

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Karin
What do you think makes one house fairy group smaller than another? I don't.

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Diana
Know. But the ones that you have that are in your house. Okay, They seem to like, I don't know, the correct terminology for this because I'm not really a mountain climber, but they've got grappling hooks, rappelling, rappelling hooks and ropes, and they seem to like climbing up the windows, like they throw their their hooks up and then they climb up the rope.

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Diana
They're doing this around the windows and appear up your radiators. they seem to like, do that. They're they're, they're.

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Karin
Climbing around and having fun.

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Diana
Like, Yeah, yeah.

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Karin
Mountaineer fairies.

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Diana
That's great. Mountaineer fairies. Yeah.

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Karin
Do they like the string of lights I have around my room?

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Diana
Yes, they do.

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Karin
And do they want me to turn it on right now?

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Diana
Well, what the what they do sometimes is actually use them as tight ropes.

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Karin
They can walk almost all the way around the circumference of my room.

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Diana
Great.

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Karin
That's interesting.

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Diana
I mean, that could be why they're smaller, because if the bigger do would have a harder time doing this stuff. let me ask them. Yeah, because. Yeah, so far I haven't really asked too many.

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Karin
Yeah, you need we need to find out from them what they're okay.

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Diana
okay. So they're telling me they're descendants from a long line of they said rappelling fairies, but mountaineering fairies could be the same thing.

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Karin
And why would they have landed in my house? I live in the city.

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Diana
Yes, it's a good question. Okay. Some of them came down from where you were previously in.

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Karin
A former life or from Erie, Pennsylvania.

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Diana
From Erie, Pennsylvania.

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Karin
that came with me.

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Diana
Yeah.

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Karin
And I saw them.

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Diana
Because there's third they were kind of like outdoors and indoors.

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Karin
That's like my lifestyle, outdoors and indoors.

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Diana
Right? So they came down because they wanted to come with you.

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Karin
And what why did they want to come with me.

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Diana
Comfortable being with you? And they figured you need some help.

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Karin
what kind of help do they give me?

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Diana
they bring, like good energy and they try to keep things clear, meaning that.

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Karin
Clear and calm and connected or.

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Diana
Clear in that there's no fuzziness there. This is what they're saying. How many fuzziness in terms of energy, right?

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Karin
Okay. Clear energy. How many are there?

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Diana
let's see. Let's see. About ten.

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Karin
interesting. And they're about four inches high. that's like seven inches. Seven or eight inches.

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Diana
Yeah, well, six, seven inches.

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Karin
And do they live like a family and have more fairies, or are they just the same ten that have been with me since Erie. I've been in this house, I've been away from Erie for about 40 years, so they've been obviously with me for a very long time.

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Diana
Yes, they have been. And they don't really they don't age like we do.

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Karin

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Diana
They they age very slowly. So they're still very young looking. Okay.

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Karin
Like me.

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Diana
Right?

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Karin
Wait, that wasn't supposed to be funny, but go ahead.

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Diana
Okay, so there's is more of a community in terms of they're saying it's not really families.

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Karin
It's more of a community.

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Diana
Yeah, it's more of a community. And they kind of recruit fairies. Recruit rappeling fairies.

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Karin
So they recruited more over the years. So that's the same ten I brought with me.

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Diana
Now, I do hate to say this, but some of them have actually died. Passed on.

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Karin
Right? no.

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Diana
Yeah. And so, like, the ten that are here now are a little bit more than originally were here. But like I said, some have passed on and they've recruited others because sometimes I don't know, there's just fairies wandering around looking for a home.

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Karin
I could see that.

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Diana
And not that they put up great signs saying, you know, fairies wanted no, but the fairies that are that are outside wandering around know that this just this is a potential home.

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Karin
So can I ask what the fairies need to look like? What do they look like? Is it that we need to describe the physical?

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Diana
Okay, now I see them as little people. Okay. Are there others? May not see them that way.

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Karin
How would they describe themselves?

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Diana
They use they themselves basically describe themselves as little bits of energy.

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Karin
Okay.

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Diana
You know, and they can they can change shapes, too. So they.

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Karin
Shapeshift. They change shape depending on who's looking at them to be seen or.

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Diana
Yeah, I mean, that's to say, I mean, if I see them, like I said, it's little people. Meaning the two arms, two legs and a body and head. Right. Somebody else may not see like quite like that. Meaning that they could be squatter or I guess have different facial features or and Okay. I see them as having regular length hair, not long hair, not short hair.

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Diana
And they themselves see themselves as however they want to be seen by the person who's actually not doing the seeing but who who who's the object of of of of the viewing.

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Karin
So if I see them as little, if I see them as little like bits of energy, that's fine because that's kind of how I sense them as little bits of energy.

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Diana
Right, Right. And because whatever they do, they have these like, like for their rappelling. They need ropes, they need hooks, right? So those are all little bits of energy, those you actually can see, really. So I can see.

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Karin
You can see them. Right. Right. it's, it's really quite interesting. So you can see them climbing with the little ropes and and.

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Diana
Probably they could see themselves climbing with their ropes and hooks, you know. Yeah. And for some reason they've got buckets too. I don't know why. Why do they have buckets. they see to carry, to carry stuff from place to another.

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Karin
Their stuff or energy or.

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Diana
You know their stuff. It could be not, not necessarily liquid. Right.

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Karin
Like food, clothing. An extra hat.

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Diana
Yeah. Right. Exactly.

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Karin
Robes.

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Diana
Right.

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Karin
And do they have names. Do they call themselves anything. Should I address them as anything in particular.

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Diana
they don't seem to care.

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Karin
Okay, that's fine.

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Diana
Yeah.

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Karin
Well, and.

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Diana
Individually really they don't. Yeah. There's, they're saying they don't really call themselves by any name because how they communicate between themselves is mostly telepathically.

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Karin
Okay?

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Diana
So they don't need they, they don't need a name.

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Karin
They just intuitively know who they're communicating to.

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Diana
Right. Exactly. Yeah. So that's why they don't have any name. But but they're saying, you know, if we want to give them names, they're most happy to take them. I mean, you could just call me a, b, c, d, e, f, g, h, i, j or, you know, that's kind of like.

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Karin
Yeah, that's okay. I don't need to name them. That's not that important to me. But to know they're there and to thank them for keeping my energy clear in my house and working with me. That's awesome.

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Diana
Right? And that seems to be currently their main mission, keeping the atmosphere.

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Karin
And how do they do that? I know they're climbing around and stuff, but actually, you know what, what is their like magical aspect that that keeps the energy clear here?

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Diana
Okay. I'm asking them how do you do this? And they say basically their presence.

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Karin
Just their presence presence.

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Diana
Does it.

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Karin
Okay, well, that makes sense. They carry a certain energetic vibration of clarity and maybe being mountaineer fairies, The Mountaineers. Clear?

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Diana
Yeah, of course look how sunny it's getting outside.

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Karin
And it says we're talking about to these fairies. Is there anything specific that they want me to know.

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Diana
they're saying something about the back room. What are they saying about the back room.

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Karin
In the back rooms where often and for those that are listening in, it's off my kitchen, has a table and lots of window space right out on to the deck.

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Diana
I don't know. They're saying you should pay more attention to things in there somehow, but exactly what you should pay attention to. You're not you're not really saying, I don't know.

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Karin
Are things not clear enough back there? Do I need to actually do something to clarify it?

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Diana
Things seem to be less clear there than other other rooms.

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Karin
And is it because is it the artwork?

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Diana
there's no artwork back there.

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Karin
There is, but none of mine see interest. So I could swap out the artwork with my artwork. There's other people's artwork back there,

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Diana
Okay. Well, this would mean that somehow the rapellers, the rapelling fairies or communicating with.

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Karin
My art fairy.

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Diana
Series. Right? And yeah. And they're saying, yes, this is true. They do communicate. And they both they both contribute to making the atmosphere clearer. So it could be that you put some of your artwork in the back room. It would. It would. So help to clear the back room, which is what the the rappelling fairies are talking about.

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Karin
Okay, I can do that. I got plenty of pieces of art, do they have a preference of paintings or photography.

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Diana
Well, they're saying both are possible. Both, but both. Both would do.

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Karin
Okay.

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Diana
You can put in some of each.

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Karin
All right. Very exciting. Very interesting.

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Diana
Yes, it is quite interesting. I had no idea that they're telling me all this.

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Karin
Stuff and no idea either. Is the So the rapelling fairies. Is there anything else they would like me to know, or could I ask if they're specific to my house or do they each person have their own types of fairies?

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Diana
Well, okay. I think because these came with you from Erie, they were indoor and outdoor ones, right? So I think the type of fairy depends upon the activities they like to do.

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Karin
okay.

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Diana
So because these ones really liked climbing. And your house has got really high ceilings, which makes it easier for them to climb around. That's not to say that yours would be the only house where you'd find fairies. No, I think they kind of like choose where they want to live based on those specific conditions.

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Diana
Okay. Yeah.

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Karin
So let me. Can we. Do they have something else they want to say, or should we. Can we switch to the art fairies?

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Diana
Okay. They they want people to know that they're. They're very likable, and they're here to help.

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Karin
All fairies or just the rapelling fairies.

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Diana
Well, they're speaking for themselves, right? It's racist (?), you know?

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Karin
Okay, so just the ten that are here really want to help? You're a real.

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Diana
Woman. Are all also, they're speaking for art fairies and the attendant fairies. It's not like they're completely isolated, Right, Because they have contact with fairies that are just wandering around outside.

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Karin
Do kind of like the dolphins have, you know, contact with fish and whales and other dolphin species.

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Diana
And right, Right. Yeah, exactly.

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Karin
Can I ask also, just before we move on to the art fairies, how long have the rapelling fairies or fairies in general been around on this earth?

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Diana
my God. for forever.

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Karin
Forever. Like, have they predated humans? Definitely predated other types of human forms, like the physiotheric Atlanteans and the other groups that have been here before. Are they older than a dolphins? Yeah. Really? Yeah.

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Diana
This is what they're telling me here. You're not, but they're not showing me any, any evidence. Why. They just know this.

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Karin
Were they part of an original inhabitants of the Earth?

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Diana
Yeah. They're saying yeah, they.

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Karin
Could have been, they could have been.

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Diana
They could have been. Definitely. okay. There's this more. More an oral culture, right? They don't have any stored records so everything's just passed down fairy generation to fairy generation.

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Karin
So the.

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Diana
So they've got legends going back. You know, the original fairies who had been here since before time began, right.

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Karin
Before time begins. So they, they go back before time. And and.

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Diana
Where did they come from.

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Karin
In that heroic existence. Yeah. Because physically, what did they ever have a physical fear of existence where they were as dense as like humans are now.

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Diana
So no, but they could be what, what I mean is if they wanted to, they, they did that.

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Karin
they could have been at any time. Yeah. And is that what we know more as like gnomes and pixies and trolls and things like that.

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Diana
Yeah. I mean those are all different shapes.

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Karin
Right.

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Diana
Of fairies, you know.

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Karin
So onto the art fairies, unless they really want to say something else.

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Diana
No, they just want to say thank you for giving them this platform.

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Karin
thank you for showing up. Thank you for asking to be on it.

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Diana
And now they're back to swinging on their ropes. I mean.

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Karin
If you could see Diana, she's watching them all over the room, having a great time. For those of you who don't know, I'm a painter and a photographer and basically I'm an artist. I work mostly in the abstract or visionary platforms. And my paintings and my photography have fairies and energies, not really my paintings or paintings channeled through me or photography that's called to me to participate in the creation of and and they have energies of their own, fairies of their own.

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Karin
And the art fairies apparently are very connected to the rapelling fairies. And I'm just kind of curious what the art fairies might have to say.

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Diana
Okay, so the art fairies are the way I see them. They're they're actually a little bit bigger than the rapelling fairies, and they're always sitting in the corners of the frames, but they're really intimately connected with the energy of a painting.

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Karin
Does each painting have one fairy or more than one?

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Diana
It looks like each painting's got like one fairy and they all know each other, right?

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Karin

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Diana
Because they can see each other from wherever they are. They're not traveling around like the rapelling fairies. They're just they stick with the painting.

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Karin
And with the fairies. They're when the paintings are being created.

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Diana
Yeah. No, they're saying that they they existed as concepts before the painting the.

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Karin
Fairies.

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Diana
Did. Yeah.

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Karin
So in the paintings were completed, the fairies were completed or were materialized. They materialized to go with the painting.

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Diana
Yeah. Yeah.

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Karin
And do they travel with the painting when it goes to its new home, Right? Definitely. So they're with the painting for the rest of their life.

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Diana
Yes.

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Karin
And what, what is their role of being with the painting.

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Diana
To kind of protect.

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Karin
It? To protect the painting.

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Diana
Yeah. Paint the energy of the painting.

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Karin
The energy of the painting integrity. So does the integrity of these. Can it shift? Can it grow? Can it get more? Can it actually does very have anything to do with that? Like, like in an energy, like sometimes when you focus on things, you can amplify the energy of it. And I'm just wondering if having a fairy with the energy of this painting and staring at it longer, or are these any of these paintings or photography, if they actually shift with the time shift and become more potent, or if they kind of stay the way they are?

00;19;05;27 - 00;19;41;01
Diana
Okay. So what they're saying is that they themselves do not do anything to increase or decrease the energy of the painting, but they are there as kind of intermediaries between the viewers and the painting and its energy. So if somebody is coming around and looking at the painting and really just is really getting something from the painting and by doing so is increasing the painting's energy, then the fairies are able to like stabilize that.

00;19;41;05 - 00;19;45;00
Diana
It just the added energy just doesn't dissipate with the viewer or whatever.

00;19;45;03 - 00;19;54;03
Karin
so they're sort of like they're to, to take, you know, that increased magnet to magnet magnification of the energy and maintain it.

00;19;54;08 - 00;20;19;14
Diana
Yeah. Yeah. Like I said, they're there to protect the painting's right. And conversely, if there is somebody who comes around, you know, a somebody whose watch looking at one of these paintings and is thinking, I, I don't really like it. I don't care. He could be from this. They're, they're so like they're not detracting energy, but they're putting negative energy into the painting.

00;20;19;17 - 00;20;25;06
Diana
So the fairies see they, they kind of like, do something to propel this person away.

00;20;25;08 - 00;20;32;25
Karin
nice, nice. So the paintings would have then, like, you know, if they were to go to a new home when they're sold.

00;20;32;29 - 00;20;43;10
Diana
Well, first of all, the fairies would have to agree that this is a good home for the painting. Okay. Okay. Otherwise, they don't think that they would let the painting go there.

00;20;43;10 - 00;20;51;21
Karin
So it's like a steward/representative of the painting. Like a salesperson?

00;20;51;23 - 00;20;55;00
Diana
Yeah. Steward was probably a good word.

00;20;55;02 - 00;20;59;13
Karin
Steward of the painting on multiple levels. Very interesting.

00;20;59;15 - 00;21;09;13
Diana
Yeah, isn't it? So this is, I think is the major reason why they actually stay with the and they're saying, yes, this, this is it because their mission is to protect.

00;21;09;14 - 00;21;13;15
Karin
Now, are they on all paintings or are they on the paintings that I'm working with.

00;21;13;17 - 00;21;14;24
Diana

00;21;15;00 - 00;21;34;02
Karin
I don't know. Like not all paintings in my house, but all the paintings that are painted anywhere, like, like we talked earlier about the paintings, not necessarily having the right energy in the back room. They're created by other people, not by myself. And I know when these are created, they're. They're like, channeled information that is coming through some, you know, energetic divine portal.

00;21;34;04 - 00;21;37;24
Karin
It's maybe that's part of the attraction for fairies. I really don't know.

00;21;37;26 - 00;21;46;03
Diana
Yeah. Okay. So they're they're saying that no, not all paintings Who got fairies on? Only ones that need to be protected.

00;21;46;09 - 00;21;48;07
Karin
And they need to be protected. Why?

00;21;48;09 - 00;21;55;09
Diana
Because of the specific energy that's in. But there's some paintings that are not created with any kind of specific energy.

00;21;55;09 - 00;22;16;00
Karin
And. Okay, so the intention with what something's created. But also, I mean, do these paintings have some purpose in the grand transformation or is going on in the world right now? And is that why they're here or is it just because that was my intention when I was creating it was to make these consciousness shifts for myself or whoever looked at them.

00;22;16;05 - 00;22;31;14
Diana
Right. Okay. I think they're saying it's some of both. It's both both those things. But the main thing is the main thing is kind of like the energy in the painting. For whatever reason, it's there, you know?

00;22;31;17 - 00;22;42;23
Karin
So if someone was to have one of these paintings in their house, the fairy would come along and the energy would be there sharing itself into that house or that home or office or whatever space.

00;22;42;26 - 00;22;51;10
Diana
Yes. Yeah, yes. And they're, they're, they're quite willing to relocate provided that where their goal is, where they want to go.

00;22;51;13 - 00;22;53;03
Karin
Okay.

00;22;53;05 - 00;22;57;08
Diana
that. You really like it here now I.

00;22;57;11 - 00;23;00;16
Karin
My very friendly house.

00;23;00;18 - 00;23;03;06
Diana
Because they've got the rapellers here too, you know.

00;23;03;08 - 00;23;03;23
Karin
Right.

00;23;03;29 - 00;23;04;29
Diana
You know. So yeah.

00;23;04;29 - 00;23;26;19
Karin
It's a very friendly house. I guess they're fairies in the house. So there are other fairies that. Do they have a mother? They have any advice for me or, or words to for me? I understand that they want to stay here. They like it here. But there is I'm creating a lot of paintings. And so even if they stayed here, they would get covered up or put maybe in another room.

00;23;26;19 - 00;23;45;29
Karin
So is there like any I want them to know I appreciate them and I'm thrilled that they're there and I'm thrilled that they feel and protect and steward the paintings the way they do because I can sense it. You know, I feel like this really tight bond with them, but at the same time, I need to be free to create a whole bunch more.

00;23;46;02 - 00;23;47;15
Karin
And I want their help, you know?

00;23;47;15 - 00;23;51;22
Diana
Right. Okay. So there's this. They're saying when the time is right, you will go, okay.

00;23;51;28 - 00;23;56;04
Karin
Is there any other information they have for me?

00;23;56;07 - 00;24;00;26
Diana
Or let's see with regards to what anything, anything at all.

00;24;00;28 - 00;24;12;16
Karin
Anything at all or specific to the paintings or with or why they're here, why they're with me, Any any information at all? Yes.

00;24;12;19 - 00;24;17;07
Diana
why they're with you is because you actually created them. You're the one that that.

00;24;17;15 - 00;24;18;02
Karin
Well, I.

00;24;18;08 - 00;24;19;20
Diana
produced the energy.

00;24;19;23 - 00;24;30;11
Karin
Okay, So but there's got to be something about me that's more specific, cause other people might be creating energy to like. What's different about my energy?

00;24;30;13 - 00;24;38;24
Diana
that you have these fairies with the paintings. Yeah, well, other other other paintings would have other fairies too, Right?

00;24;38;24 - 00;24;40;09
Karin
But they said not all do.

00;24;40;11 - 00;25;07;23
Diana
yeah. No, no. Okay. Because you were creating them for a specific purpose, right. let's see. what are they saying? sometimes the purpose is sometimes the reasons why people create art, or necessarily for or I don't want to see the right purposes, but purposes that don't foster. So, like, good energy.

00;25;07;25 - 00;25;11;00
Karin
So that's what I'm doing is fostering good energy through my art.

00;25;11;00 - 00;25;11;14
Diana
Right.

00;25;11;18 - 00;25;27;02
Karin
Creations. And then they recognize that and they come and become stewards. Yes. Is it possible for a bunch of them to show up during the process of creating paintings, or do they really want to wait till I've finished?

00;25;27;04 - 00;25;51;08
Diana
Okay, well, now they're just they're kind of different than the rapelling fairies because they existed as concepts. Or it could be. I'm not quite understanding what they're saying because it could be maybe their shape shifting and the concept is the actual theory, right? And when the painting itself is realized, that's when they kind of like materialize.

00;25;51;11 - 00;25;51;26
Karin
Okay, So.

00;25;51;28 - 00;25;58;19
Diana
Not that they weren't there before and they just suddenly appeared. Maybe they were there all along. Okay.

00;25;58;22 - 00;26;00;14
Karin
In a different form, right?

00;26;00;14 - 00;26;07;13
Diana
Yeah, because it wouldn't make any sense then if fairies live a long, long, long, long time. Right.

00;26;07;13 - 00;26;10;04
Karin
And like, hundreds of years. 500.

00;26;10;04 - 00;26;28;28
Diana
Years. Yeah, a long time. And so they can actually go from some they can just disentangle themselves from a painting or a work of art and move to another one if they so choose. And why would they choose? Maybe the energy from the painting becomes corrupt, somehow.

00;26;28;28 - 00;26;30;09
Karin
Corrupt or, or.

00;26;30;11 - 00;26;31;17
Diana
Or dies off.

00;26;31;19 - 00;26;38;17
Karin
Yeah, there's just new energy being created all the time. Right. So you are painting might actually contain a newer energy, right?

00;26;38;17 - 00;26;41;03
Diana
Right. Or a higher vibrational energy.

00;26;41;03 - 00;26;44;12
Karin
Yeah. Higher vibrational energy is probably a great way to describe it.

00;26;44;12 - 00;26;55;07
Diana
Right. Perfect. So it's not like they're specific to one painting, right? They like the rapelling fairies have been around for a long time and they've seen many different energies in paintings.

00;26;55;13 - 00;26;59;25
Karin
So are there any. Yeah, that's. That's very interesting, isn't it.

00;26;59;27 - 00;27;00;16
Diana
Yes.

00;27;00;16 - 00;27;03;08
Karin
So they could be hopping from artist to artist.

00;27;03;13 - 00;27;15;00
Diana
no. But they don't do this willy nilly, right? Okay. They have to have reasons. You know, it's not like one week they're over here, next week they're over there. No, they're saying it doesn't work that way.

00;27;15;02 - 00;27;38;20
Karin
Well, for example, like, I have this book here from this artist called Hilma af Klint, and she was a fabulous visionary artist that really never got her credit until 100 years later when everybody realized her work and then she's been on worldwide tours. But no, she's not making any financial gain off of her vision that she expressed all those years ago.

00;27;38;20 - 00;27;51;22
Karin
But she's finally getting credit for being this visionary. Would those stories have been with her art this whole time, just waiting where they left those paintings now and they're well done.

00;27;51;25 - 00;27;55;03
Diana
Okay. I don't know if I can actually ask them that.

00;27;55;11 - 00;27;55;22
Karin
Okay.

00;27;55;24 - 00;28;03;12
Diana
Okay. However, the ones that are here are saying that they don't just give up like that.

00;28;03;15 - 00;28;07;00
Karin
So you might stay with painting for hundreds of years, right?

00;28;07;02 - 00;28;12;03
Diana
Yeah, Because they see something like we don't see.

00;28;12;05 - 00;28;15;08
Karin
Like, Starry Night. There's a very famous.

00;28;15;11 - 00;28;15;26
Diana
Yeah.

00;28;15;29 - 00;28;24;01
Karin
Painting with a fairy for sure, right? Yeah. And that's been there. Well, not eons, but quite a while now. Right. But it's been the same fairy.

00;28;24;02 - 00;28;55;11
Diana
Well, this comes, this is like, I don't know, it gets off into another kind of realm because different paintings have got different energies, you know, they're painting even though it's got a specific energy, right? There's lots of different strands in there in that it's not all one kind of higher vibrational energy. It's it's really complex. I was going to say some of it's maybe like negative energy or less, you know.

00;28;55;14 - 00;28;56;12
Karin
Lower vibrating and.

00;28;56;12 - 00;29;06;19
Diana
Yeah, right. But but all of the different vibrational energies have not mixed together to form one. They're all kind of like layered.

00;29;06;21 - 00;29;07;12
Karin
Okay?

00;29;07;12 - 00;29;08;02
Diana
And so.

00;29;08;02 - 00;29;08;22
Karin
For.

00;29;08;27 - 00;29;19;05
Diana
And no, the, the energy concepts that become fairies flows it seems to me and well these ones don't.

00;29;19;08 - 00;29;19;26
Karin
The ones here in.

00;29;19;26 - 00;29;29;17
Diana
This room. Yeah. They don't have any direct contact with fairies like that but they're saying yeah, yeah, they're much more complicated.

00;29;29;20 - 00;29;31;23
Karin
Starry Night one is much more complicated.

00;29;31;23 - 00;29;35;13
Diana
Because in the fairy, the fairy or fairy, there's more than one.

00;29;35;13 - 00;29;37;00
Karin
They're okay.

00;29;37;03 - 00;29;42;26
Diana
The fairies there are. I don't know. You've got to be very careful around them somehow.

00;29;42;29 - 00;29;50;09
Karin
Well, there's been a lot of people who've looked at those and been in the presence of those paintings and who knows what energies were going on back then.

00;29;50;12 - 00;30;02;01
Diana
yeah, that's created. Yeah, yeah, yeah. That. yeah. That adds to the energy too. That's where you need to the fairies to protect the paintings.

00;30;02;03 - 00;30;11;08
Karin
Very interesting. Do they have any advice for me going forward?

00;30;11;10 - 00;30;20;23
Diana
they're saying keep creating. Now, this does not necessarily mean keep painting. They're saying creating. Okay, so.

00;30;20;25 - 00;30;23;19
Karin
Creating podcasts, creating photography.

00;30;23;19 - 00;30;24;12
Diana
Creating.

00;30;24;14 - 00;30;25;17
Karin
Anything. Yeah.

00;30;25;19 - 00;30;26;29
Diana
I mean, it's all right.

00;30;27;05 - 00;30;31;15
Karin
I have no intention to let them down. I have no intention of stop stopping my creative.

00;30;31;15 - 00;30;46;15
Diana
Yeah. No aside. They know that. They know that. Awesome. But they just want to emphasize that even though you may feel now that you know you want you want them to get new homes, right? They're saying, don't worry.

00;30;46;18 - 00;31;12;06
Karin
So I have a question about the art books and the prints. Do they actually capture the same energy as the paintings or do the fairies travel with the book as a whole or individual pages with art pieces on them? Or when there's a print, are there fairies or are there fairy energies?

00;31;12;08 - 00;31;28;00
Diana
That's very good question. You know, they are saying that the the pictures in the books are basically captures of energy at a certain point in time. So the energy in them, in the prints in the book, the energy doesn't change.

00;31;28;02 - 00;31;32;25
Karin
Right? That energy is of the painting and of the fairy itself.

00;31;32;25 - 00;31;37;23
Diana
It's of the painting in the fairy. And because it doesn't change, it actually doesn't need protection.

00;31;37;24 - 00;31;38;10
Karin
Okay?

00;31;38;15 - 00;31;58;21
Diana
There's no if you're if you're looking at it at the book. Right. The energy there is it's whole it's, it's it's encapsulated, right. It's not what's the word? It's not organic anymore. Okay. It's fixed. So whatever whatever a viewer is thinking cannot change the energy either. Positively or negatively.

00;31;58;21 - 00;32;01;01
Karin
So it's like frozen in time and now.

00;32;01;05 - 00;32;28;01
Diana
So there's no there's no real life fairy needed to protect the energy of the of the reproduction, because the energy of the reproduction doesn't change. However, kind of I think I know what the word for it. There are there are sort of like copies of the fairies attached to the prints in the books. Okay. Why, why copy write copies?

00;32;28;03 - 00;32;30;13
Diana
Because they just want to make sure that the books are okay.

00;32;30;20 - 00;32;38;01
Karin
Okay. So each page, each new little picture in the books has its original copy of the fairy that came with that painting.

00;32;38;05 - 00;32;39;01
Diana
Right? Right.

00;32;39;06 - 00;32;39;29
Karin
And that's not.

00;32;40;03 - 00;32;42;05
Diana
It's just like a piece of that fairy, right?

00;32;42;05 - 00;32;54;25
Karin
A piece, a piece of energy of that fairy. Right. And that's not necessarily all books are all art books. It's just the ones like we've talked about before that have been created, specially with the intention or energy.

00;32;55;02 - 00;33;07;03
Diana
Right, Exactly. And, you know, the fairies that are answering talking to me now. Right. They're specifically talking about your books.

00;33;07;05 - 00;33;27;16
Karin
My books? Okay. So there's little fragments of the individual fairies on each attached to each print in the book. And the books are secure, frozen in time with their energies. They can't be tainted or enhanced. But the paintings, on the other hand, have, like, fairies and can be amplified. Their energies can be amplified.

00;33;27;24 - 00;33;35;13
Diana
Yeah, their energies can be increased or also decreased. But they're fairies or they're to make sure that doesn't happen.

00;33;35;16 - 00;33;43;29
Karin
That the decrease doesn't happen. They they will allow for an emphasis on the amplification. Yes. It's very interesting.

00;33;44;01 - 00;34;07;09
Diana
Yeah. Well, and also and also part of part of what they want to see is actually the if if there's a greater just distribution of of the print books, they actually see that even though people are not viewing the photograph, I mean, the.

00;34;07;09 - 00;34;08;00
Karin
Original painting.

00;34;08;01 - 00;34;26;06
Diana
The original paintings, they do see an increase in energy. If the response to the to the print books is positive. So, yeah, so they're telling me that, so there is a connection, right?

00;34;26;12 - 00;34;33;16
Karin
So the more distribution of a print, the more energy amplification is. There is of the original painting.

00;34;33;16 - 00;34;36;00
Diana
Yes, possibly. Right. If it's, if it's so.

00;34;36;00 - 00;34;46;21
Karin
Basically if you own a painting and it's got good energy and the fairies with it and somebody sells book with a million copies, that painting automatically becomes more energetically valuable.

00;34;46;24 - 00;34;56;00
Diana
Okay, if you want to put it that way. But you can also think of it as it's more it. The energy is now of a greater frequency, right?

00;34;56;03 - 00;35;05;28
Karin
So yes, a greater frequency. So if you owned a painting, you might actually, you know, it was hanging on your wall. You might actually come in and notice that you get more energy out of that painting.

00;35;06;01 - 00;35;06;25
Diana
Right.

00;35;06;27 - 00;35;11;02
Karin
And it's helped, you know, when you get positive energy out of that painting.

00;35;11;05 - 00;35;16;09
Diana
That's coming, transfers it itself to you and and everything around the painting, too.

00;35;16;11 - 00;35;21;25
Karin
Right? Exactly. So it's it's a basically, you know, a live energy force, right?

00;35;22;01 - 00;35;23;09
Diana
It's kind of cool.

00;35;23;11 - 00;35;33;00
Karin
Yeah, it is kind of cool. But it speaks to, you know, the the one of the reasons to buy original art.

00;35;33;02 - 00;35;34;04
Diana
That is very true.

00;35;34;04 - 00;35;35;02
Karin
Versus prints.

00;35;35;03 - 00;35;35;23
Diana
Yes.

00;35;35;26 - 00;35;37;24
Karin
Yeah. Maybe versus nothing at all.

00;35;37;26 - 00;35;40;16
Diana
Right. I guess. I mean, I like having stuff on my wall.

00;35;40;16 - 00;36;13;23
Karin
Well, yeah, too. But you might like it esthetically, but it also might actually be providing enhancing energy or, you know, you know, the energy might like if you're sitting in your room and a thousand people are looking at these books, your energy's rising if you're in front of the painting. I mean, it's just like a That's right. It's just like so collectors of these art artworks that end up in books somewhere are actually just basking in increased amplification of their energy, of their painting and their their own vibration would be there.

00;36;13;28 - 00;36;43;20
Diana
This is actually quite curious. Amazing to write because a friend of mine in Vancouver has this. He's obsessed with this question. It's like, what or what is art? Right? And it comes back to Andy Warhol. According to him, Andy Warhol is not art, right? But how many reproductions of Andy Warhol prints are there around the world that people have in their houses, in books, in museums, whatever?

00;36;43;21 - 00;37;01;20
Diana
Right? They're all looking at this and they figured, Wow, this is great. So that actually could be contribute to to what we meaning, I guess, collectively perceive as the worth of an Andy Warhol painting. So this increased.

00;37;01;22 - 00;37;02;14
Karin
Right.

00;37;02;16 - 00;37;04;13
Diana
Right. Higher vibrational energy.

00;37;04;14 - 00;37;33;05
Karin
Right. So the monetary value of it is it's increasing and amplifying as well. At the same time the energy is amplifying. Brings me to a you know, a lot of people could use that amplified money that our artists, you know, certainly Van Gogh could have used the millions of dollars that his artwork and maybe he would still be he would have created another seven years of work had he not been poverty stricken.

00;37;33;05 - 00;38;01;04
Karin
It's very difficult to say. And I don't really want to go back and change history, but at the same time, there's a lot of artists who like Hilda of Klimt, who we mentioned earlier, who, you know, 100 years after they've created art, it gets appreciated in the the monetary amplification happens at that time and not not before. And so they really sacrifice their entire life to create this energy, you know that to share it, to create it.

00;38;01;04 - 00;38;06;08
Karin
And, you know, is there a way to speed up that process of this?

00;38;06;09 - 00;38;09;22
Diana
Is this a question that you're asked, actually asking the art? Very well.

00;38;09;22 - 00;38;32;24
Karin
I'm asking the art fairies, yeah. Is there a way to equalize that Speed up is the wrong word, but equalize that process so that, you know, two and three generations after someone is no longer here, you know, the amplification of the money shows up for their art and the appreciation shows up is I guess there is in a way, I'm I'm talking and I'm answering the question halfway by saying, there's the Internet.

00;38;32;24 - 00;38;54;11
Karin
You can post on the Internet and get it out there. But do the fairies have any, any say on that, any, any understanding of what what the entire impact of that art could be, not just protecting it and being a steward of it, but also the, you know, the eventual amplification of it and its valuation and monetary energy.

00;38;54;13 - 00;39;14;09
Diana
They're finding this really kind of hard question. He because even though, you know, they exist in a world which is basically driven by money, they they don't deal with it right. To live through, I mean, their ordinary lives. They don't deal with money.

00;39;14;10 - 00;39;33;15
Karin
Right. And it doesn't have to be money. I'm just there's an exchange there that happens not when the artist is alive often. And in an appreciation like whether it's money or, you know, other kinds of generous, you know, something that makes brings great ease to that artist. They can continue to work.

00;39;33;17 - 00;39;56;19
Diana
Okay. Well, they're saying that from their perspective, right? The worth this is from their perspective, Right. The worth of the worth quotes of the painting or artwork is basically determined by the the vibrational frequency of the energy and the complexity of that vibrational frequency.

00;39;56;19 - 00;39;59;12
Karin
But it also then can be amplified.

00;39;59;17 - 00;40;12;21
Diana
yeah, I know that that their answer takes that into consideration also, that it's not static, that it's organic, it's right. It could be increasing, could also be decreasing, you know, But it changes over time, too. Right.

00;40;12;21 - 00;40;30;02
Karin
But that doesn't really specifically address the model, the exchange of the artwork. No, that of the commodity exchange of the artwork and its energetic value in respect to the facilitator, which would be the artist of its creation.

00;40;30;08 - 00;40;34;14
Diana
Yeah. You don't know anything about that. That's what they're saying.

00;40;34;17 - 00;40;39;24
Karin
All right. Okay. Well, they have a higher purpose, right? They're thinking about the big picture. And the big picture.

00;40;39;24 - 00;40;45;00
Diana
Only their mission there is to protect. Protect the energy of the work of art.

00;40;45;06 - 00;40;51;11
Karin
Okay, So. So are there other. Do they have anything else to say? And shall we move on?

00;40;51;13 - 00;41;05;26
Diana
No, they. They're just saying or it was fascinating talking to you and this is them talking to us. Yeah, fascinating talking to you. And we hope you get some new insights.

00;41;05;29 - 00;41;24;17
Karin
definitely. It's very, very nice of them to show up and actually share their information. And I'm very happy that they're here. And I don't know if they know, but I often, you know, give them a nod when I'm walking back by a piece and I'll be taking some artworks into my back room, too.

00;41;24;20 - 00;41;27;02
Diana
good. Yeah. They're saying, yes, definitely do their.

00;41;27;09 - 00;41;31;22
Karin
Change the upgrade or fix the energy back there?

00;41;31;24 - 00;41;35;25
Diana
Yeah. For some reason you need the front and the back to be kind of like the same.

00;41;35;28 - 00;41;43;05
Karin
Okay. All right. No worries. I can. I can handle that or balance it out. Right. Tell them thank you very, very, very much. I can tell them directly.

00;41;43;05 - 00;41;44;10
Diana
Yes. Yes.

00;41;44;12 - 00;41;47;13
Karin
Thank you very much. I really appreciate it. It was really fun.

00;41;47;16 - 00;41;52;25
Diana
Okay. So now they're just waving goodbye.

00;41;52;28 - 00;41;59;05
Karin
Ta ta till later, now sitting there on their paintings, just hanging out here.

00;41;59;07 - 00;42;04;21
Diana
And now they think, no, we'll have a spot of. Tea.

00;42;04;23 - 00;42;11;25
Karin
have fun. Tea and artwork. So is there someone else who would like to come? Foreigners.

00;42;11;27 - 00;42;39;10
Diana
let's see. yes. my goodness. Okay. These fairies are usually not very talkative, at least the ones that I know. But there there are many present in that. My cats. I see your cat all you which is here now. They have these attendants and they are very sincere, kind of smallest, maybe like seven or eight inches tall and.

00;42;39;13 - 00;42;43;11
Diana
But they all have the same costume, which is kind of weird what?

00;42;43;13 - 00;42;45;08
Karin
What is the costume like?

00;42;45;10 - 00;43;11;10
Diana
Okay, It's a white it's a stiff white A-line. It's not a dress because they're not women do not many either. Right. But it's basically it looks like it's an A-line suit, long sleeved, and it goes all the way down to the ground and it's stiff so that you can see that it's it's A-line. That's what they wear.

00;43;11;13 - 00;43;13;13
Karin
And they're how many of them are there?

00;43;13;18 - 00;43;15;17
Diana
One, one per. Cat.

00;43;15;20 - 00;43;23;16
Karin
one for cat. Yeah. Because all these have a name, all these looking around like would look.

00;43;23;19 - 00;43;25;08
Diana
Like it's Ollie too.

00;43;25;09 - 00;43;32;03
Karin
Ollie 2 or like Ollie also or Ollie number two.

00;43;32;05 - 00;43;41;08
Diana
They have the same name as the cat. I see. So mine are called. There's Nocciollo and there's Nocciollo 2 the attendant. Okay.

00;43;41;11 - 00;43;42;19
Karin
So the cat attendants.

00;43;42;23 - 00;43;43;27
Diana
Cat attendants.

00;43;43;27 - 00;43;46;00
Karin
And what do they do for the cats or should we?

00;43;46;02 - 00;44;14;14
Diana
I'm not quite sure, because I've never really seen them do anything other than just be standing there beside them. you know, but it could be I mean, I don't watch my cats all the time, right? So it could be that they're doing a stuff for them when I'm not watching. but, but I do know that one thing that they do help me with is that when I do some of the meditations that I do, I include my cats.

00;44;14;14 - 00;44;26;07
Diana
And with some of them, you actually have to look inside their bodies and see their chakras chakras. So the attendants actually kind of like like Vanna White.

00;44;26;10 - 00;44;28;26
Karin
You know, they show you around. Look.

00;44;28;28 - 00;44;35;06
Diana
These are they're the this is the red chakra. This is the orange. See?

00;44;35;09 - 00;44;37;23
Karin
that's so funny. So they show you around.

00;44;37;26 - 00;44;48;09
Diana
Yeah, that's right. But they, they, they're willing, they're actually willing to talk to us. Okay. But maybe we can do that next time.

00;44;48;12 - 00;45;01;09
Karin
Okay. Awesome. Hey, well, thank you, Diana, for facilitating a great conversation with the fairies, the rapelling fairies and the art fairies. Who would have thought, right? Who would have.

00;45;01;09 - 00;45;06;29
Diana
Thought? Yeah. Who would a exactly.

00;45;07;01 - 00;45;14;16
Karin
That's all for this episode of the 1 to 9 podcast. Thank you for listening and please sign up for our newsletter at 1to9Podcast.Com.